#BANDANA FREDDIE GIBBS ALBUM COVER HOW TO#
#BANDANA FREDDIE GIBBS ALBUM COVER MAC#

Gibbs wrote most of his lyrics in an Austrian jail, while he waited for trail on sexual assault charges. ItвЂ™s a deeper record than PiГ±ata - stranger, headier, more inward. There had to be.Д«andana, the long-awaited PiГ±ata follow-up, is everything that anyone couldвЂ™ve hoped. There was always going to be another one. And they had time to think about PiГ±ata, to consider how well their strange combination had worked.

After that, Gibbs and Madlib both went on their ways, making good records that didnвЂ™t quite stack up to what theyвЂ™d done together. The result is a quiet miracle, a record that sticks with you. So did legends like Raekwon and Scarface.

#BANDANA FREDDIE GIBBS ALBUM COVER MAC#

Members of rapвЂ™s smart-kid cognoscenti - Mac Miller, Earl Sweatshirt, Danny Brown - showed up and made contributions. And Gibbs had to change his approach, to realize he was making inward-excursion music rather than street anthems.

Madlib had to make relatively linear beats, beats that would give GibbsвЂ™ snarl room to resonate. They both had to extend themselves out of their comfort zones. He and Gibbs are strange partners, but together, they work.ДЇive years ago, Gibbs and Madlib made PiГ±ata, a happy experiment of a record. Instead, he was always happy making woozy headphone music. Madlib never threatened to become a star, the way Gibbs did. He found like-minded collaborators - J Dilla, MF DOOM - and perfected his own broken, splintered, sample-driven form of rap psychedelia. Madlib came from a family of jazz musicians, and he made records that progressively drifted further and further into the astral abstract. The bigger Likwit Crew names - King Tee, tha Alkaholiks, Xzibit - were the same sort of populist-underground tough-talkers that Freddie Gibbs would become. When he first started, as a member of the вЂ™90s Oxnard rap crew Lootpack, he was a loose affiliate of the Likwit Crew, a group of workmanlike Californian rap head-slappers. Madlib, by contrast, has always been an experimenter. So he got himself dropped and learned to exist on the internet, where he found an audience that loved that throwback gutter-talk shit. But in the вЂ™00s, when he signed his first misbegotten Interscope deal, that approach was no longer a populist one, and Gibbs was adrift. Once upon a time, that mightвЂ™ve made him a star, or at least a cult favorite capable of moving vast quantities of CDs to a devoted audience. Instead, Freddie Gibbs is an unflashy artisan, and heвЂ™d probably be happy rapping over 808 thuds and G-funk synth-whines for the rest of his career.

#BANDANA FREDDIE GIBBS ALBUM COVER HOW TO#

He knows how to rattle off syllables with astonishing speed while staying in the beatвЂ™s pocket and maintaining a calm, conversational presence. He understands the concept of flow like few others. As a pure technical rapper, heвЂ™s breathtaking. He talks about growing up amidst violence and poverty with a rare gravity, and he brings granular detail and clear bloodthirsty delight to his drug-trade stories. Gibbs comes from the burned-out and forgotten city of Gary, Indiana, and he makes snarling, unpretentious, head-down gangsta rap music.

The combination of Freddie Gibbs and Madlib makes no sense, which is why it makes the most sense.

Bandana freddie gibbs album cover